Tagged: thumbnails

“This is what you need”, planning 2

“This is what you need”, planning

Here is the follow up to my planning with two animatics and a composited full body video references. This is a quick post as I am pretty tired from a freezing sunday sketchcrawl.

Thumbnails and video references come hand in hand during my planning, I don’t shoot video references without trying out some thumbnails first but I might also go back to my thumbnails after shooting my references.

It is very likely that the acting will call for a specific framing but I also need to think about overall motion/choreography as I want to use the visual space to its full potential but also the set and the props as much as possible to create a specific performance and avoid clichés gesture or twinning. This is what thumbnails allow me to do.

I would actually recommend reading Nick Bruno’s excellent “How I approach my shot” blog post.
http://nickytwoshots.blogspot.com/2009/02/how-i-approach-my-shot.html

A great mistake with that kind of shot would be to have both characters standing up and gesturing for the entire shot as this would have created a really boring performance. I then remembered “Brazil”, a great shot by Jeffrey Engel where the speaker walks past behind the second character and decided to incorporate that. This is something I had seen in Ratatouille a while back and always wanted to use in my work.

I ran out of ideas for the end of the shot then realized that I could just cut to a close up with an over the shoulder shot.

In the video you will also see that I wasn’t too sure what to do with the second guy then decided that he would have his cap on at the beginning of the shot then take it down after Palpatine points at it when saying “hard work” and “disco Santa Claus” as to show that Anaking his ashamed of his situation.

One sequence that might not be clear in the video ref is when Palpatine lifts Anakin and straighten him up on “you need charisma” but the blocking will show that a bit better.

Alright, here are the different elements of my planning, the second animatic was a test to see how the shot would play out with Palpatine being on the other side and ending up leaning on the box. As you can see, I am still pretty unsure about the framing of the first shots, wide shots or medium shots? we will see in blocking.

Related posts:
This is what you need, gathering references

Jeff Gabor webcast recording is online 6

Jeff Gabor webcast recording is online

Jeff Gabor’s AnimSchool webcast recording is finally online and it is great. It is nice to finally hear him talk about his workflow and explain why his video progression reels regularly get pulled down. Check it out it is really funny and sometimes a bit politically incorrect so that’s very refreshing.

I want to highlight some of the gems he shares with us but make sure you quickly watch the video before AnimSchool removes it from public’s viewing.

Jeff obviously discusses the shot he animated for AnimSchool and goes frame by frame through it explaining his workflow.

He talks about acting in modern feature animation compared to traditional 2d one, the use of video reference versus thumbnailing for subtle acting, overanimation…

Interestingly enough, Jeff is one of those guys who animates exclusively in IK, I wonder if he uses Body Spaces or just regular unparented world IK….

TweenMachine! Yay I agree with version 1 being the simplest and the best, just like Facebook 🙂

Someone asked about Tradigitools… the answer is funny. Come on, Tween Machine, Michael Comet’s AutoTangent, that’s all you need in Maya really, and they are both free.

Here is the link to the AnimSchool blog post, you will need to register to get the link to the actual recording.

Jeff Gabor’s webcast

While you are on the the AnimSchool blog, make sure you also check Garrett Shikuma’s interview. It is pretty long and very interesting.

Garrett Shikuma’s interview

Related Posts:
Maya Mel scripts for animation
Jeff Gabor