Tagged: Cloudy with a chance of meatballs

Mouth shapes – Chester V 7

Mouth shapes – Chester V

Don’t you find it frustrating every time you join a new project to find out you have only been provided with a pose library or worse, blend shapes that only contain random mouth shapes? Haven’t people ever seen the Preston Blair book?

Preston Blair

Let’s make poorly thought out mouth shapes history!

Today I was doing a bit of cartoony animation research and came across that very enjoyable “Cloudy with a chance of Meatballs 2” behind the scene video featuring Chester V.

[youtube]https://www.youtube.com/watch?v=yWj0tGxGs_Q[/youtube]

The camera panned very quickly through Chester V’s mouth shape library but it gave me enough frames to reverse engineer it and make a nice pose library you should share with your modeler and rigger next time you get involved in pre-production. Sorry we couldn’t see the last mouth shapes but you get the idea.

On a side note, ideally those shouldn’t be blend shapes but shapes the mouth rig and controls allow you to create and smoothly transition from and out of to the next shapes. Simple per phonem blend shapes don’t allow for smooth transition and should be reserved for low cost animated tv series.

As you can see, the mouth shapes are divided in 3 emotions or groups: Happy, Neutral and Sad where the corners move vertically in conjunction with the teeth corners and for each emotion the animators are provided with 16 shapes derived from the Preston Blair simplified phonems: M(BP), S(DTNXK), E, I, L, A, O, TH, U(Q), and F(V).

Enjoy and feel free to share and print, the file is huge enough to please everyone! 😉

Chester-V-Mouth-shapes

Related pots:
So you want to be a rigger huh?

Cloudy with a chance of …. Eyeballs! 4

Cloudy with a chance of …. Eyeballs!

with a chance of eyeballs

with a chance of eyeballs

Have you seen Sony’s latest attempt at swiping Pixar and Dreamworks from the best Feature animation studio’s crown?

Because of it’s really plain looking character design, “Cloudy with a chance of meatballs” might have flown under the radars of a lot of animation fans but if you go pass the designs, you will realise that the underdog is a new home run from the Culver city studio. Yes the story is not revolutionary but that movie is once again a great piece of entertainment served with amazing rendering, gorgeous visual effects, funny lines and wacky animation.

One of those wacky shots I am referring to is the Eyeball shot by the dock.

How lucky! David Anthony Gibson, the animator behind it: has decided to share with use some insights.

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