Did you listen to the Animation Podcast number 24! the first James Baxter interview was great but that one! Oh my god! Probably the most informative animation interview I ever listened to. You will probably want to listen to it in loop for at least 3 or 4 times. A lot of really really interesting informations on planning and acting for animation. It also made a lot of sense to me after my 6 month working as an animator but mostly after the great Ed Hooks masterclass.

It s here!

Ah I forgot to mention that I fixed the link to my 2d planning from few weeks back and also that I found a great flat in Annecy for the festival in june. I am signing the contract tomorrow.

actually, here is my last post of the week 😉

8 videos of 10 minutes each. Yeah the entire Turner’s feature animation “Cats don’t dance”. Jay Jackson was telling us about it during a Q&A this week end. Who is Jay Jackson? well he was a student of Eric Larson during the first days of the Disney animation program and happen to be a mentor this term at Animation Mentor, he incidentally worked on “Cats don’t dance”

My lead animator Louise organised a day out for all the animators from Rare to attend a “workshop” on acting for animators hosted by the famous Ed Hooks which you probably know for his book “Acting for animators”. My friend Andy gave it to me back in the days and I never managed to finish it.

I was a bit apprehensive at first but Ed Hooks is a very entertaining character and his workshop was really great. I took loaaddddss of notes and it will probably take me few weeks to organise them. Richie found some similar notes on Thinking Animation blog but I can’t find them anymore. I will update the link tomorrow from work.

I also got to sit next to him at lunch and have a quick chat on acting but that was really brief. I told him that his talk reminded me of the Uta Hagen masterclass and to which he replied “I learnt from her in NY…. and others”

The others he was refering to were probably Meisner and Michael Chekhov which I recognised immediately

Chekhov: Archetypes, Imaginary Centers, Imaginary body, Character Atmospheres, Overall scenic Atmospheres, Qualities of Movement, Imaginary Place and Psychological Gesture,

I had to Google the french name, I will never be able to remember how to spell the name of 1958 Peyo comic strips “Les Schtroumpfs”, Smurfs for the english speakers.

You know what? They are coming back in 3d! Not sure when it is gonna come out but you can see a quick video and some production pictures on Comingsoon.net
There is even a short video in french if you click on the picture.

Yes I found the movie a bit dull and nearly fell asleep watching it twice but it’s still a Pixar movie so today I bought the Ratatouille DVD to be able to finally watch it frame by frame. Isn’t it the way every animated feature should be watched?? The animation is outstanding and watching frame by frame is the only way to see how you create entertaining performances.

I bought the DVD because it is still a very nice piece of work but also for the beautifull end credits, the 100% keyframed animation logo, the awesome “Your friend the rat” short and ultimately for the Directors comments. Come on who doesn’t want to hear the guy who started at Disney under Milt Kahl aged 14 telling you a bit more about HIS movie? (ok he rewrote it).

I bought the DVD to hear Brad Bird and some animators talking me through the film and did I get this??? Did I get this??? NOOOOOOO. There are NO DIRECTORS COMMENTS!!!. I am really disapointed Pixar. It ‘s the second time after Cars!!! Except the “Your friend the rat” short (did I say how brilliant it is already?) I don’t see why anyone would buy the 2 DISCS EDITION!!! Most of the “Extra features” are already on AOL website or Itunes!!! It’s like if they were encouraging piracy to me. Give me something meaty Pixar or I am not gonna buy your DVDs anymore!
I am soooo disappointed.

Has anyone seen “Your friend the rat”? They won an Annie award for best short few weeks ago did you know?
Directed by Jim Capobianco. The production design was led by Nate Wragg, with Teddy Newton doing the character design, with the help of Bob Scott and Scott Morse handled backgrounds.

some new pictures from Dreamworks show Kung Fu Panda have been posted on Character Design blog.

Doesn’t this show look awesome???

Ratatouille took most of the awards yesterday night but Surf’s Up didn’t do too bad either.

One of the highlights is Pixar Michal Makarewicz for Character Animation in a Feature Production the same week we have a lecture with him on Advanced Polishing at Animation Mentor. I don’t know which shots he worked on on Rat but I am sure he pushed them to the top.

Now regarding the Character Design in an Animated Feature Production, I am not too sure I would have given it to Carter Goodrich instead of Sylvain Deboissy,. Rats character designs to me were much weaker than Surf’s Up. They were too many of those Pixar generigs for my liking and on few shots I thought I was looking at The Incredibles. Too many rounded shapes with no contrasting sharp angles. Only few characters on Rat had original designs compared to Surf’s Up.

I am upset …. 🙂

Ok, we spent nearly one hour debating this at work some time ago and watching the Jason Ryan latest video the question came back to me.

If I have an animation in 24fps and I change it to 60fps.

Is this gonna affect the spacing?

Is this gonna affect the timing?

Give me your answers in the comment section! 😉

On my way food shopping today, I decided to visit the local Woolworth shop hunting for cheap DVDs and I found this little treasure, the two discs edition of Disney’s “Lilo and Stich”.

The movie is great but the second DVD is just as good with nearly 2 hours of interview with Chris Sanders, Dean DuBlois, Andre Deja. It is a really intimate DVD which has nothing to do with your regular cartoon “making of” DVD where people jump around mimicking cartoony character. Be prepared, this DVD is probably aimed at a more grown up audience and some people might find the lenghty talking a bit boring but real fans of animation would love it.
Some of the moments I really liked are the “Chalk Talk” where Andre Deja goes through the design of Lilo with the animation and clean up crew, teasing some animators who tend not to draw on model and there is also a little fight between Sanders and Dublois over the jumbo scene.

I am actually still watching it and I wonder if I am gonna have time to watch the movie again before going to the Bonfire night organised at work…